Kim Thayil

Superunknown

Kim Thayil · Superunknown · 1994

What Makes This Sound Unique

The album's title track and one of Kim's most hypnotic riffs — a droning, repetitive pattern built on an Eastern-influenced mode that creates tension through rhythmic insistence rather than harmonic movement. The SG's neck pickup gives the riff a darker, more bassy character than the bridge-pickup grunge typical of the era.

  1. 1Gibson SG Standard (neck pickup, alternate tuning)
  2. 2Marshall JCM800 or Hiwatt Custom 100 (high gain)
  3. 3ProCo RAT Distortion
  4. 4Boss DS-1 (layered)
Gain / Volume8
Bass7
Mid6
Treble6
Presence6

Neck pickup, slightly bass-heavy setting — the droning quality of the riff is served by a darker, warmer distortion than Kim's typical bridge-pickup heavy settings. The ProCo RAT adds a compressed, aggressive character on top of the amp's own distortion.

How to Play It

Drone-based riff construction — Superunknown centres on a repeated note/chord pattern that creates hypnotic tension through rhythmic variation rather than melodic development. Kim uses open strings as drones beneath fretted notes.

Achievable With

SG or Les Paul neck pickup → ProCo RAT (distortion at 8, filter at 3) → Marshall at high gain. The dark, bass-forward setting contrasts with typical grunge tone.

Adapt to My Amp

Other Song Rigs

Black Hole Sun

Superunknown · 1994

Psychedelic, whammy-bar-heavy and detuned — the opening riff uses heavy tremolo

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Spoonman

Superunknown · 1994

Grinding, odd-meter grunge — Spoonman is in 7/4 time, which gives it a relentles

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Fell on Black Days

Superunknown · 1994

Melancholic, dreamy grunge — a slower, more emotionally open texture than Soundg

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Rusty Cage

Badmotorfinger · 1991

The Badmotorfinger opener — Kim's most angular and percussive tone on the album.

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Burden in My Hand

Down on the Upside · 1996

Soundgarden's most commercial-adjacent single from their final album — Kim uses

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