Kim Thayil

Rusty Cage

Kim Thayil · Badmotorfinger · 1991

What Makes This Sound Unique

The Badmotorfinger opener — Kim's most angular and percussive tone on the album. The odd-time riff uses the SG's natural resonance and a tight, aggressive distortion that emphasises pick attack over sustain. The 1991 Soundgarden tone is rawer than the 1994 Superunknown recordings.

  1. 1Gibson SG Standard (bridge pickup)
  2. 2Marshall JCM800 (high gain, less polished than 1994 rig)
  3. 3MXR Distortion+
Gain / Volume8
Bass6
Mid5
Treble8
Presence8

Bridge pickup, treble-forward — the angular riff needs definition and attack. The 1991 sound is thinner and more aggressive than the lush Superunknown tone, reflecting both the different production and a deliberately rawer approach.

How to Play It

Compound time signature riffing — Rusty Cage operates in 13/8 and other irregular meters. Kim plays the riff with a heavy pick attack on every note rather than using dynamics to suggest the rhythm, creating relentless forward momentum.

Achievable With

SG bridge → MXR Distortion+ (gain high) → Marshall JCM800. The raw production of Badmotorfinger is hard to replicate in a polished studio — embrace the pick noise and string squeal.

Adapt to My Amp

Other Song Rigs

Black Hole Sun

Superunknown · 1994

Psychedelic, whammy-bar-heavy and detuned — the opening riff uses heavy tremolo

View rig →

Spoonman

Superunknown · 1994

Grinding, odd-meter grunge — Spoonman is in 7/4 time, which gives it a relentles

View rig →

Fell on Black Days

Superunknown · 1994

Melancholic, dreamy grunge — a slower, more emotionally open texture than Soundg

View rig →

Superunknown

Superunknown · 1994

The album's title track and one of Kim's most hypnotic riffs — a droning, repeti

View rig →

Burden in My Hand

Down on the Upside · 1996

Soundgarden's most commercial-adjacent single from their final album — Kim uses

View rig →
← All Kim Thayil SongsSound Like Kim ThayilAmp Settings →