Kim Thayil

Fell on Black Days

Kim Thayil · Superunknown · 1994

What Makes This Sound Unique

Melancholic, dreamy grunge — a slower, more emotionally open texture than Soundgarden's heavier tracks. The clean intro arpeggio rings on a Rickenbacker-bright clean tone, then the distorted verse enters with a warm, medium-gain crunch. One of Soundgarden's most accessible guitar textures.

  1. 1Rickenbacker or single-coil guitar (intro clean arpeggio)
  2. 2Marshall (moderate gain for verse)
  3. 3chorus/reverb for clean sections
Gain / Volume6
Bass6
Mid6
Treble6
Presence5
Reverb4

Intro: very clean with gentle reverb. Verse: moderate gain — less heavy than Spoonman or Black Hole Sun. The emotional arc of the song is served by restraint. B standard tuning maintained for tonal consistency with the rest of the album.

How to Play It

Clean intro: arpeggiated open chords with fingers rather than a flat pick for the softer attack. Verse: controlled strumming with moderate attack. The dynamic contrast between the intro and verse is built through picking technique, not effects switching.

Achievable With

Single-coil guitar (clean) + Marshall or equivalent at moderate gain (crunch). The reverb-washed clean intro can be achieved with any reverb pedal (Boss RV-6 or TC Hall of Fame).

Adapt to My Amp

Other Song Rigs

Black Hole Sun

Superunknown · 1994

Psychedelic, whammy-bar-heavy and detuned — the opening riff uses heavy tremolo

View rig →

Spoonman

Superunknown · 1994

Grinding, odd-meter grunge — Spoonman is in 7/4 time, which gives it a relentles

View rig →

Superunknown

Superunknown · 1994

The album's title track and one of Kim's most hypnotic riffs — a droning, repeti

View rig →

Rusty Cage

Badmotorfinger · 1991

The Badmotorfinger opener — Kim's most angular and percussive tone on the album.

View rig →

Burden in My Hand

Down on the Upside · 1996

Soundgarden's most commercial-adjacent single from their final album — Kim uses

View rig →
← All Kim Thayil SongsSound Like Kim ThayilAmp Settings →