Kirk Hammett

Orion

Kirk Hammett · Master of Puppets · 1986

What Makes This Sound Unique

Metallica's most melodic instrumental — Kirk's lead sections demonstrate the lyrical side of his playing rarely heard through the thrash metal rhythm work. The tone shifts between a clean, atmospheric middle section and the aggressive Marshall lead tone for the heavier bookends.

  1. 1ESP M-I Custom (bridge EMG 81)
  2. 2Marshall JCM800 2203 (lead channel)
  3. 3Roland JC-120 (clean ambient middle section)
  4. 4Boss DD-2 Delay
Gain / Volume8
Bass6
Mid6
Treble8
Presence8

The clean middle section uses the JC-120 rather than the JCM800 — two separate amp tones within the same song. The clean section has significant reverb and chorus; the heavy bookends use the dry JCM800 lead channel.

How to Play It

Melodic single-note lines with deliberate phrasing — the middle section of Orion shows Kirk's blues influence, using pentatonic positions but with a more considered, less frantic approach than his solo work on conventional thrash tracks.

Achievable With

EMG-equipped guitar → Marshall JCM800 or Boss Metal Zone for heavy sections → Roland JC-120 or any clean amp with Boss CE-2 Chorus for the clean middle section → Boss DD-3 Delay throughout.

Adapt to My Amp

Other Song Rigs

Enter Sandman

Metallica (The Black Album) · 1991

The riff that defined the Black Album's polished metal approach. Kirk's ESP KH-2

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One

...And Justice for All · 1988

The pre-Black Album Kirk tone — rawer, drier and more aggressive than the polish

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Master of Puppets (Solo)

Master of Puppets · 1986

Hammett's most technically demanding performance — the wah-drenched solo section

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Fuel

ReLoad · 1997

Late-90s Metallica — the ESP KH-2 through the Mesa Boogie Dual Rectifier that be

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Wherever I May Roam

Metallica · 1991

From the Black Album — Kirk's tone evolved significantly from the earlier thrash

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Seek & Destroy

Kill 'Em All · 1983

The earliest significant Kirk Hammett lead tone — pre-EMG pickups, pre-Mesa Boog

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