Kirk Hammett

Seek & Destroy

Kirk Hammett · Kill 'Em All · 1983

What Makes This Sound Unique

The earliest significant Kirk Hammett lead tone — pre-EMG pickups, pre-Mesa Boogie, just a Marshall and a stock guitar producing the raw, slightly unpolished sound of thrash metal at its inception. The tone is brighter and less controlled than the later Metallica recordings, with more pick noise and string squeal.

  1. 1B.C. Rich Ironbird or Flying V (stock humbuckers)
  2. 2Marshall JCM800 (early 2210 model)
  3. 3MXR Distortion+
Gain / Volume8
Bass6
Mid6
Treble8
Presence8

Earlier, rawer Marshall tone than the later Metallica records — the Kill 'Em All production was recorded quickly on a limited budget, and the guitar tone reflects that directness. Less processing, more amp.

How to Play It

Kirk's early technique is visibly influenced by his hero Dave Mustaine's frantic alternate picking combined with Hendrix-influenced wah use — the Seek & Destroy solo is rawer and more improvisational than his later work.

Achievable With

Flying V or V-shaped guitar → MXR Distortion+ or Boss DS-1 → Marshall JCM800 → Boss GE-7 for slight mid boost. The rawness of Kill 'Em All is partly the recording budget — avoid heavy studio processing.

Adapt to My Amp

Other Song Rigs

Enter Sandman

Metallica (The Black Album) · 1991

The riff that defined the Black Album's polished metal approach. Kirk's ESP KH-2

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One

...And Justice for All · 1988

The pre-Black Album Kirk tone — rawer, drier and more aggressive than the polish

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Master of Puppets (Solo)

Master of Puppets · 1986

Hammett's most technically demanding performance — the wah-drenched solo section

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Fuel

ReLoad · 1997

Late-90s Metallica — the ESP KH-2 through the Mesa Boogie Dual Rectifier that be

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Orion

Master of Puppets · 1986

Metallica's most melodic instrumental — Kirk's lead sections demonstrate the lyr

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Wherever I May Roam

Metallica · 1991

From the Black Album — Kirk's tone evolved significantly from the earlier thrash

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