Kirk Hammett

Wherever I May Roam

Kirk Hammett · Metallica · 1991

What Makes This Sound Unique

From the Black Album — Kirk's tone evolved significantly from the earlier thrash records. The Mesa Boogie replaced the Marshall for the Black Album sessions, producing a tighter, more controlled high-gain sound with better note articulation at the slower, mid-paced tempos of the new material.

  1. 1ESP M-I Custom (EMG 81/60 pickup set)
  2. 2Mesa Boogie Mark IIC+ (lead channel)
  3. 3Marshall 4×12 cabinet
  4. 4Dunlop Crybaby from Hell wah
Gain / Volume8
Bass6
Mid6
Treble7
Presence8

Mesa Boogie rather than Marshall — the IIC+ has a tighter low end and more precise midrange articulation than the JCM800. The Black Album guitar tone is distinctly more polished and controlled than the thrash era recordings.

How to Play It

Wah-heavy lead playing — Kirk uses the Dunlop Crybaby From Hell throughout the solo to add vocal expressiveness to the melodic lines. The wah is rocked slower and more deliberately than his earlier technique.

Achievable With

EMG 81-equipped guitar → Mesa Boogie Dual Rectifier or Peavey 5150 → Dunlop Kirk Hammett Signature Wah → Boss DD-3 delay at subtle settings.

Adapt to My Amp

Other Song Rigs

Enter Sandman

Metallica (The Black Album) · 1991

The riff that defined the Black Album's polished metal approach. Kirk's ESP KH-2

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One

...And Justice for All · 1988

The pre-Black Album Kirk tone — rawer, drier and more aggressive than the polish

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Master of Puppets (Solo)

Master of Puppets · 1986

Hammett's most technically demanding performance — the wah-drenched solo section

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Fuel

ReLoad · 1997

Late-90s Metallica — the ESP KH-2 through the Mesa Boogie Dual Rectifier that be

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Orion

Master of Puppets · 1986

Metallica's most melodic instrumental — Kirk's lead sections demonstrate the lyr

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Seek & Destroy

Kill 'Em All · 1983

The earliest significant Kirk Hammett lead tone — pre-EMG pickups, pre-Mesa Boog

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