Michael Schenker

Armed and Ready

Michael Schenker · The Michael Schenker Group · 1980

What Makes This Sound Unique

Schenker's post-UFO solo debut — a slightly more polished tone than the UFO recordings, with the Flying V into a more refined Marshall rig. The guitar is more forward in the mix and the riff is heavier, foreshadowing 1980s hard rock while remaining rooted in 1970s British tone.

  1. 1Gibson Flying V (black/white, bridge humbucker, volume 10)
  2. 2Marshall JMP 50W
  3. 3Orange 4×12 cabinet
Gain / Volume7
Bass7
Mid7
Treble7
Presence6

The MSG-era tone is marginally higher gain than the UFO period — slightly more preamp saturation, less reliance on power amp volume alone. Still fundamentally a British amp-driven tone with no pedals.

How to Play It

Rhythmic precision on the main riff — Armed and Ready requires consistent downstroke power and timing. Schenker uses his right hand more aggressively here than on the melodic UFO material.

Achievable With

Gibson Flying V → Marshall JCM800 or Origin 50W → Wampler Plexi-Drive or similar British-voiced OD for bedroom volumes. Mahogany body plus British amp voicing is the essential combination.

Adapt to My Amp

Other Song Rigs

Rock Bottom

Phenomenon · 1974

Michael's signature Flying V tone at its most expansive — an 8-minute showcase s

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Doctor Doctor

Phenomenon · 1974

UFO's most recognisable song features Schenker's melodic hard rock guitar at its

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Too Hot to Handle

Lights Out · 1977

UFO's most driving hard rock track — Schenker's Flying V through the Marshall at

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Attack of the Mad Axeman

The Michael Schenker Group · 1980

The MSG debut's most ferocious track — Schenker on his own for the first time af

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Into the Arena

MSG (Live in Tokyo) · 1981

Schenker's live showcase piece — an extended instrumental that gives him room to

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