Michael Schenker

Rock Bottom

Michael Schenker · Phenomenon · 1974

What Makes This Sound Unique

Michael's signature Flying V tone at its most expansive — an 8-minute showcase solo that remains one of hard rock's longest and most melodic extended guitar statements. The Flying V into the Marshall produces a warm-yet-cutting tone with the distinctive sustain of the mahogany body.

  1. 1Gibson Flying V (black/white custom, stock PAF-style humbuckers)
  2. 2Marshall Super Lead 100W (high volume)
  3. 3Marshall 4×12 cabinet
Gain / Volume6
Bass7
Mid7
Treble7
Presence6

Relatively moderate gain for the era — the Super Lead at high volume does the saturation. Michael's tone is more old-school than later 1980s hard rock, with more amp breakup than pedal gain.

How to Play It

Melodic solo construction across multiple key centres — Rock Bottom modulates through several tonalities during the extended solo, requiring Schenker to shift his scale vocabulary and phrasing character to match each section.

Achievable With

Gibson Flying V or Explorer (mahogany body is key) → Marshall Plexi or JTM45 at high volume → no additional gain pedals. The mahogany sustain is the characteristic the tone is built around.

Adapt to My Amp

Other Song Rigs

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Phenomenon · 1974

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Armed and Ready

The Michael Schenker Group · 1980

Schenker's post-UFO solo debut — a slightly more polished tone than the UFO reco

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Too Hot to Handle

Lights Out · 1977

UFO's most driving hard rock track — Schenker's Flying V through the Marshall at

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Attack of the Mad Axeman

The Michael Schenker Group · 1980

The MSG debut's most ferocious track — Schenker on his own for the first time af

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Into the Arena

MSG (Live in Tokyo) · 1981

Schenker's live showcase piece — an extended instrumental that gives him room to

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