Pat Metheny

Last Train Home

Pat Metheny · Still Life (Talking) · 1987

What Makes This Sound Unique

Metheny's most accessible and immediately beautiful melody — a folk-influenced theme played on the acoustic nylon-string guitar rather than electric. The piece demonstrates Metheny's acoustic fingerstyle chops, with a warm, classical-adjacent tone from the nylon strings that contrasts with his electric jazz work.

  1. 1Linda Manzer acoustic guitar (custom Canadian luthier)
  2. 2No amplification — close-miked studio acoustic
Gain / Volume0
Bass5
Mid6
Treble6
Reverb4

Studio acoustic close-miked — the Manzer guitar has a specific Canadian tone with a slightly different character than European classical guitars. The studio reverb adds room to the dry acoustic sound.

How to Play It

Classical guitar fingerpicking with jazz harmonic knowledge — Metheny uses classical right-hand technique (thumb and three fingers) on a nylon-string guitar, but applies jazz voice leading and harmonic substitutions to the chord accompaniment beneath the melody.

Achievable With

Any quality nylon-string classical guitar → close-mic with a small-diaphragm condenser microphone → room reverb. The technique requires classical guitar right-hand development (thumb-index-middle-ring) with jazz chord vocabulary applied to the voicings.

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Minuano (Six Eight)

Still Life (Talking) · 1987

Lush, chorused and deeply spatial — Metheny's Ibanez PM100 through a Roland Jazz

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