Pat Metheny

Minuano (Six Eight)

Pat Metheny · Still Life (Talking) · 1987

What Makes This Sound Unique

Lush, chorused and deeply spatial — Metheny's Ibanez PM100 through a Roland Jazz Chorus with synth pads underneath creates a tone that feels like it exists in wide open space. The guitar sits in the high-mids, warm but transparent.

  1. 1Ibanez PM100 Pat Metheny Signature (archtop, floating humbucker)
  2. 2Roland Jazz Chorus JC-120 (chorus engaged, bright channel)
  3. 3Lexicon PCM70 reverb (large hall)
Gain / Volume3
Bass5
Mid6
Treble7
Reverb6

Clean amp — all the texture comes from the JC-120's built-in chorus and external reverb. The guitar volume knob does all the dynamics; the amp stays clean throughout.

How to Play It

Fingerstyle with thumb pick, sustaining upper-voice melody notes while keeping inner voices moving — a pianistic approach applied to the guitar.

Achievable With

Hollowbody or archtop → Roland Jazz Chorus or Chorus pedal into clean amp → Hall reverb pedal. TC Electronic Corona Chorus + BigSky reverb is a modern equivalent.

Adapt to My Amp

Other Song Rigs

Bright Size Life

Bright Size Life · 1976

Pat Metheny's debut and one of the most distinctive jazz guitar tones ever recor

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Are You Going With Me?

Offramp · 1982

Pat Metheny's most iconic fusion piece — the Roland GR-300 guitar synthesiser gi

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Last Train Home

Still Life (Talking) · 1987

Metheny's most accessible and immediately beautiful melody — a folk-influenced t

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Better Days Ahead

Letter from Home · 1989

Sunny and melodic — Metheny's signature tone at its most accessible, blending th

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James

80/81 · 1980

Open, acoustic-leaning and conversational — one of Metheny's purest electric per

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