Pete Townshend

My Generation

Pete Townshend · My Generation · 1965

What Makes This Sound Unique

Feedback as music — Townshend deliberately exploited amplifier feedback as a compositional element three years before Hendrix, using a Rickenbacker 1998 into a Fender Dual Showman to create controlled squealing feedback that punctuates the song's statement of generational defiance.

  1. 1Rickenbacker 1998 (or Fender Stratocaster)
  2. 2Fender Dual Showman 85W (very loud)
  3. 3Fender 2×15 cabinet
Gain / Volume6
Bass7
Mid7
Treble7
Presence8

High volume and high presence — the feedback requires the amp to be played at stage volume. Townshend positioned himself close to the speaker cabinet to induce specific pitches of feedback on cue during the song's instrumental breaks.

How to Play It

Guitar smashing and feedback exploitation as technique — My Generation live performances ended with Townshend destroying the guitar against the stage and amp. Musically, the windmill strumming technique covers all six strings with each chord stab.

Achievable With

Any electric guitar → any amp at high volume → stand 2–3 feet from the speaker cabinet for feedback. The specific pitch of the feedback can be changed by moving toward or away from the amp and by angling the guitar headstock toward the speakers.

Adapt to My Amp

Other Song Rigs

Won't Get Fooled Again

Who's Next · 1971

Power chords through a heavily overdriven Marshall — the defining statement of h

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Pinball Wizard

Tommy · 1969

Townshend's most accomplished acoustic guitar performance — the opening twelve-s

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Baba O'Riley

Who's Next · 1971

The synthesiser introduction was performed by Townshend on an ARP synthesizer be

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Behind Blue Eyes

Who's Next · 1971

The acoustic/electric contrast within one song — the quiet verse uses a 12-strin

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The Seeker

Odds and Sods · 1970

One of The Who's most straightforward rock tracks — Townshend strips away the or

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