Steve Howe
Progressive RockRockJazz1970s–present

Steve Howe

Gibson ES-175 for jazz/fusion sections, Fender Telecaster for rock sections, acoustic guitar for classical/folk parts. The electric tone is a slightly pushed ES-175 through a clean amp — warm and chimey. Howe is a classical guitar-trained player and the classical discipline shows in his right-hand precision.

Budget Rig Breakdown

Signal Chain

AmpKatana 100
ReverbStrymon Flint
Boss Katana 100 MkII — Amp
Estimated total~£498

Key Tone Tips

  • Multiple guitar types are essential — Howe uses different instruments for different musical roles. You cannot replicate Yes guitar parts on a single instrument
  • The ES-175 provides the jazz archtop tone — neck pickup, clean amp, thumb-plucking technique for the warmer jazz sections
  • Telecaster for rock crunch sections — bridge pickup into a slightly pushed amp for the rock/country-influenced passages
  • Classical right-hand technique influences the picking — the fingers are close to the strings, rest stroke on single notes for the same percussive attack
  • Chord voicings are jazz-influenced — Howe uses extended chord shapes (7ths, 9ths, 13ths) in rock contexts, adding harmonic sophistication
  • Study "Roundabout," "Mood for a Day" and "Clap" — these represent acoustic and electric in equal measure
  • The rhythmic approach is orchestral — guitar parts fit within an arrangement, not on top of it. Study how guitar interacts with Jon Anderson's voice and Rick Wakeman's keyboards
  • Country steel-string technique (hybrid picking) appears in some Howe passages — the country influence from his work with Asia shows
  • Vibrato is minimal — unlike blues players, Howe uses very controlled, precise vibrato in keeping with his classical training

About Steve Howe's Sound

Steve Howe of Yes is the most versatile player in progressive rock — moving between jazz archtop, acoustic steel-string, Spanish classical and electric guitar within a single concert, with mastery in each style.