Danny Gatton

Bocephus

Danny Gatton · Unfinished Business · 1987

What Makes This Sound Unique

Classic country steel-guitar emulation on a Telecaster — Gatton bends and pedal-steel licks on a standard Telecaster fool listeners into thinking they're hearing a pedal steel guitar. The tone is warm and legato with almost no pick transient audible.

  1. 1Fender Telecaster (modified with Bigsby vibrato)
  2. 2Fender Tweed Deluxe
Gain / Volume3
Bass6
Mid6
Treble6
Reverb4

Warm and clean with light reverb — country steel emulation requires a smooth, sustained tone without edge. The Bigsby vibrato adds subtle pitch movement that sells the pedal steel imitation.

How to Play It

Behind-the-nut bending using the Bigsby or hand pressure — Gatton depressed the strings behind the nut to drop pitch while holding notes, simulating the pedal steel knee lever effect.

Achievable With

Telecaster with Bigsby B5 → Fender Blues Junior at low volume → Strymon Flint (spring reverb) → practice the behind-nut bend technique carefully to preserve tuning stability.

Adapt to My Amp

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Elmer's Tune

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Gatton's early debut album showcasing his country-jazz hybrid — a Western Swing-

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Nightclub Stomp

Redneck Jazz · 1978

Gatton's most energetic early track — a flat-out swing burner that reveals the d

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Redneck Jazz

Redneck Jazz · 1978

Country-jazz fusion with a fat Telecaster tone — Gatton's Fender Telecaster thro

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Thirteen Women

88 Elmira St. · 1991

Rockin' raw and vintage — Gatton channels 1950s rock and roll with absolute auth

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