Danny Gatton

Thirteen Women

Danny Gatton · 88 Elmira St. · 1991

What Makes This Sound Unique

Rockin' raw and vintage — Gatton channels 1950s rock and roll with absolute authenticity. The tone is all pick attack and natural amp colour, bright and slappy with a slight tape-echo smear that puts it firmly in the Elvis/Sun Records era.

  1. 1Fender Telecaster
  2. 2Fender Tweed Bassman or EchoSonic (tape echo built-in)
Gain / Volume5
Bass7
Mid6
Treble8

More treble than his jazz work — rockabilly and 1950s rock demands the bright Telecaster bite. The tape echo is set to short slapback (100–150ms) with one repeat.

How to Play It

Rockabilly right-hand snap — hitting down across the strings and snapping back, creating the percussive slap that defines 1950s rock guitar.

Achievable With

Telecaster bridge pickup → tweed Fender or Boss Blues Driver into clean amp → Boss RE-20 Roland Space Echo on slapback setting.

Adapt to My Amp

Other Song Rigs

Harlem Nocturne

New Kind of Blues · 1988

Danny Gatton's most celebrated recording — a jazz standard that shows why he was

View rig →

Elmer's Tune

Redneck Jazz · 1978

Gatton's early debut album showcasing his country-jazz hybrid — a Western Swing-

View rig →

Nightclub Stomp

Redneck Jazz · 1978

Gatton's most energetic early track — a flat-out swing burner that reveals the d

View rig →

Redneck Jazz

Redneck Jazz · 1978

Country-jazz fusion with a fat Telecaster tone — Gatton's Fender Telecaster thro

View rig →

Bocephus

Unfinished Business · 1987

Classic country steel-guitar emulation on a Telecaster — Gatton bends and pedal-

View rig →
← All Gatton SongsSound Like GattonAmp Settings →