Danny Gatton

Redneck Jazz

Danny Gatton · Redneck Jazz · 1978

What Makes This Sound Unique

Country-jazz fusion with a fat Telecaster tone — Gatton's Fender Telecaster through a tweed amp produces a warm yet cutting tone that shifts between chicken-picking country and fluid bebop single notes within a single phrase. The tone is somehow both bright and warm simultaneously.

  1. 1Fender Telecaster (modified, custom hardware)
  2. 2Fender Tweed Deluxe or Bassman
  3. 3EchoSonic amplifier (tape echo built-in)
Gain / Volume4
Bass6
Mid7
Treble7

Natural tweed amp breakup — Gatton's tweed Fenders were pushed to gentle saturation that accentuates every dynamic nuance. He rarely used pedal-based gain.

How to Play It

Hybrid picking combining flat pick with middle and ring fingers — Gatton's right-hand technique allowed him to play banjo rolls, chicken picking and bebop lines in rapid succession.

Achievable With

Fender Telecaster → tweed Fender clone (Fender Blues Junior NOS or Vox AC15) → optional tape echo (Boss RE-20 or Strymon El Capistan).

Adapt to My Amp

Other Song Rigs

Harlem Nocturne

New Kind of Blues · 1988

Danny Gatton's most celebrated recording — a jazz standard that shows why he was

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Elmer's Tune

Redneck Jazz · 1978

Gatton's early debut album showcasing his country-jazz hybrid — a Western Swing-

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Nightclub Stomp

Redneck Jazz · 1978

Gatton's most energetic early track — a flat-out swing burner that reveals the d

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Bocephus

Unfinished Business · 1987

Classic country steel-guitar emulation on a Telecaster — Gatton bends and pedal-

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Thirteen Women

88 Elmira St. · 1991

Rockin' raw and vintage — Gatton channels 1950s rock and roll with absolute auth

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