John Lee Hooker

Dimples

John Lee Hooker · Vee-Jay Records Singles · 1956

What Makes This Sound Unique

Hooker's most catchy and commercial blues — a driving rhythm that became a staple of the British Invasion bands. The Vee-Jay Records sound is cleaner than the early Modern Records recordings, with better microphone placement and studio technique capturing more of the guitar's natural tone.

  1. 1Gibson electric (1950s model)
  2. 2Small amp (Vee-Jay studio setup)
Gain / Volume5
Bass6
Mid7
Treble7

The Vee-Jay recordings are slightly cleaner and more polished than the Modern Records era — Hooker's guitar tone became more defined as studio technology improved through the 1950s.

How to Play It

Stop-time blues rhythm — Dimples uses the stop-time technique where the full band stops and only the guitar and voice play for two beats, then the full band re-enters. Hooker places this pause at key lyrical moments for maximum impact.

Achievable With

Any electric guitar → small amp at moderate volume → practice stop-time rhythm: play the riff, pause the full beat (lift both hands), re-enter precisely on beat 1 of the next bar. The ensemble discipline required for stop-time is demanding.

Adapt to My Amp

Other Song Rigs

Boom Boom

Boom Boom (single) · 1961

The most recognisable boogie guitar tone in blues history — John Lee's Gibson se

View rig →

I'm in the Mood

I'm in the Mood (single) · 1951

An early recording that captures John Lee's raw, unpolished electric style — a s

View rig →

Crawlin' King Snake

Crawlin' King Snake (single) · 1949

One of John Lee's earliest recordings — the tone is almost acoustic-adjacent, wi

View rig →

Boogie Chillen

Modern Records Singles · 1948

The most important John Lee Hooker recording — the 1948 electric boogie that def

View rig →

One Bourbon, One Scotch, One Beer

Mojo Boogie · 1966

Hooker's most recognisable standard — a slow, heavy blues that has been covered

View rig →
← All John Lee Hooker SongsSound Like John Lee HookerAmp Settings →