John Sykes

Is This Love

John Sykes · Whitesnake · 1987

What Makes This Sound Unique

The counterpart to Still of the Night on the same album — Sykes demonstrates his melodic range with a warm, singing lead tone that builds from almost-clean intro picking to a full-saturation emotional solo. The Les Paul neck pickup is the key to the vocal quality.

  1. 1Gibson Les Paul Custom (neck pickup, volume 8)
  2. 2Marshall JCM800 (medium gain setting)
  3. 3TC Electronic Chorus (slow rate, moderate depth)
  4. 4Alesis MidiVerb (large hall)
Gain / Volume6
Bass7
Mid7
Treble6
Reverb5

Lower gain than Still of the Night — the neck pickup adds warmth and the chorus widens the stereo image. Reverb is heavier here, giving solo lines a ballad-appropriate sustain tail.

How to Play It

Slow vibrato with wide depth on sustained notes — the Les Paul neck pickup sustains naturally, so Sykes holds notes longer before moving to the next phrase, creating a more breathed-out, vocal feel.

Achievable With

Les Paul neck pickup → any mid-gain amp (JCM800, Plexi at lower volume) → chorus pedal + reverb. The neck pickup is non-negotiable — bridge pickup will not produce this warmth.

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Other Song Rigs

Still of the Night

Whitesnake · 1987

Possibly the heaviest, most authoritative British hard rock riff tone of the 198

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Thunder and Lightning

Thunder and Lightning · 1983

Sykes's work with Thin Lizzy — a harder, slightly rawer tone than the polished 1

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Bad Boys

Whitesnake · 1987

From the Whitesnake self-titled album — Sykes's Les Paul/Marshall combination at

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Give Me All Your Love

Whitesnake · 1987

The most commercial-sounding Sykes track — a radio-ready hard rock song where th

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Love Hunter

Love Hunter · 1979

Sykes's earliest major recording with Whitesnake — the 1979 tone is rawer and mo

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