John Sykes

Thunder and Lightning

John Sykes · Thunder and Lightning · 1983

What Makes This Sound Unique

Sykes's work with Thin Lizzy — a harder, slightly rawer tone than the polished 1987 Whitesnake sound. The riff is built on Les Paul sustain through a louder Marshall without the studio gloss, and the lead playing is more impulsive and blues-rooted than the more deliberate 1987 approach.

  1. 1Gibson Les Paul Standard (bridge, volume 10)
  2. 2Marshall Super Lead 100W (very loud, edge of power amp breakup)
  3. 3Marshall 4×12 cabinet
Gain / Volume6
Bass7
Mid7
Treble7
Presence7

A Super Lead rather than the later JCM800 — the EL34 power amp breakup at high volume is the primary distortion source. Keep preamp gain moderate and let the output stage saturate.

How to Play It

More blues-influenced phrasing than later work — pentatonic bends with exaggerated vibrato and a looser, more improvisational approach compared to the tighter Whitesnake era.

Achievable With

Les Paul → Marshall Plexi or any vintage-voiced amp cranked hard → no pedals needed beyond possibly a germanium booster to push the amp further.

Adapt to My Amp

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