John Sykes

Love Hunter

John Sykes · Love Hunter · 1979

What Makes This Sound Unique

Sykes's earliest major recording with Whitesnake — the 1979 tone is rawer and more direct than the polished 1987 productions. The Les Paul through the Marshall without the studio processing of the later records has more pick noise, string squeal, and natural amp character.

  1. 1Gibson Les Paul (1979 era, standard humbuckers)
  2. 2Marshall JMP 100W (earlier Marshall than the JCM800)
Gain / Volume7
Bass7
Mid7
Treble7
Presence7

Rawer and more direct than the 1987 recordings — the 1979 Whitesnake albums were recorded quickly with less studio processing, giving the guitar a more live, immediate character.

How to Play It

Blues-influenced hard rock playing — the early Whitesnake albums show Sykes in a more blues-influenced context than his later virtuosic approach, with string bends and conventional pentatonic vocabulary used more prominently.

Achievable With

Les Paul → Marshall JMP or JCM800 → no effects. The 1979 tone is the most straightforward version of the classic British rock guitar sound.

Adapt to My Amp

Other Song Rigs

Still of the Night

Whitesnake · 1987

Possibly the heaviest, most authoritative British hard rock riff tone of the 198

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Is This Love

Whitesnake · 1987

The counterpart to Still of the Night on the same album — Sykes demonstrates his

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Thunder and Lightning

Thunder and Lightning · 1983

Sykes's work with Thin Lizzy — a harder, slightly rawer tone than the polished 1

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Bad Boys

Whitesnake · 1987

From the Whitesnake self-titled album — Sykes's Les Paul/Marshall combination at

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Give Me All Your Love

Whitesnake · 1987

The most commercial-sounding Sykes track — a radio-ready hard rock song where th

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