Song Rig
Entre Dos Aguas
Paco de Lucía · Entre Dos Aguas · 1976
Tone Overview
What Makes This Sound Unique
The song that made flamenco a pop phenomenon — a rumba-flamenco hybrid that reached number one in Spain and introduced Paco to a worldwide audience. The classical Spanish cedar-top guitar produces a sharp, dry, percussive tone absolutely foreign to the sustain and warmth of electric guitar. The tone is 100% acoustic.
Signal Chain
- 1José Ramírez III classical/flamenco guitar (cedar top, cypress back and sides)
- 2No amplification — classical concert projection
Amp Settings
Purely acoustic — the flamenco guitar's characteristic bright, dry, percussive sound comes from the cypress wood body (absorbs less resonance than rosewood) and the low action (close string-to-fretboard clearance for buzzing clarity). There is no amp in traditional flamenco.
Technique
How to Play It
Rasgueado (right-hand finger strumming) — the flamenco rasgueado is a rapid roll of individual fingers across the strings (pinky → ring → middle → index) creating a sequence of chord hits faster than any single strumming motion could produce. This creates the characteristic machine-gun chord texture of flamenco rhythm.
Budget Alternative
Achievable With
Ramirez or any Spanish flamenco guitar (cypress back/sides preferred) → acoustic recording → develop rasgueado: start with single-finger rolls very slowly, then build to multi-finger cascades. The technique requires months of daily wrist-and-finger independence work.
Your Gear
Adapt to My Amp
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