Barney Kessel

Autumn in Rome

Barney Kessel · Plays Standards · 1954

What Makes This Sound Unique

Lyrical and European — Kessel plays with a more legato, melodic approach here than his harder-swinging tracks. The tone has a romantic quality that suits the Italianate mood of the title.

  1. 1Gibson ES-350
  2. 2Small tube amplifier
Gain / Volume1
Bass6
Mid7
Treble5
Reverb3

Very clean and dark — slower tempos allow more sustain and Kessel exploits it with a darker tone that gives ballads an appropriate intimacy.

How to Play It

Single-note melody with chord punctuation — Kessel alternates between pure melodic single lines and block-chord harmonisations within single phrases.

Achievable With

Archtop hollowbody → Polytone or Jazz Chorus at minimum volume → slight reverb.

Adapt to My Amp

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Easy Like

Easy Like · 1953

Barney Kessel's debut album and one of the earliest jazz guitar recordings to do

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Let's Cook!

Let's Cook! · 1957

Kessel at his most swinging — an uptempo blowing vehicle that shows his speed an

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To Swing or Not to Swing

To Swing or Not to Swing · 1955

The most technically ambitious early Kessel recording — a longer, exploratory im

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On the Sunny Side of the Street

Easy Like · 1953

Warm and swinging — Kessel's Gibson ES-350 or similar archtop produces a round,

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Blues for Breakfast

Let's Cook · 1957

Bluesy and direct — Kessel's blues phrasing has a different character from his s

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