Barney Kessel

Blues for Breakfast

Barney Kessel · Let's Cook · 1957

What Makes This Sound Unique

Bluesy and direct — Kessel's blues phrasing has a different character from his standard jazz work. The tone is slightly more forward and the pick attack more pronounced, giving the blues vocabulary the edge it needs.

  1. 1Gibson ES-350 (bridge pickup)
  2. 2Slightly louder tube amplifier
Gain / Volume3
Bass6
Mid7
Treble7

Slightly brighter and with more presence — Kessel bridges jazz guitar tone and blues guitar tone by using the bridge pickup more in blues contexts.

How to Play It

Blues bending within bebop harmonic language — Kessel applies blues-derived string bending to the chromatic vocabulary of bebop, a fusion that influenced many later jazz-blues guitarists.

Achievable With

Semi-hollow (ES-335 or similar) → Blues Junior at 50% → pick attack controls all the dynamics.

Adapt to My Amp

Other Song Rigs

Easy Like

Easy Like · 1953

Barney Kessel's debut album and one of the earliest jazz guitar recordings to do

View rig →

Let's Cook!

Let's Cook! · 1957

Kessel at his most swinging — an uptempo blowing vehicle that shows his speed an

View rig →

To Swing or Not to Swing

To Swing or Not to Swing · 1955

The most technically ambitious early Kessel recording — a longer, exploratory im

View rig →

On the Sunny Side of the Street

Easy Like · 1953

Warm and swinging — Kessel's Gibson ES-350 or similar archtop produces a round,

View rig →

Autumn in Rome

Plays Standards · 1954

Lyrical and European — Kessel plays with a more legato, melodic approach here th

View rig →
← All Kessel SongsSound Like KesselAmp Settings →