Barney Kessel

On the Sunny Side of the Street

Barney Kessel · Easy Like · 1953

What Makes This Sound Unique

Warm and swinging — Kessel's Gibson ES-350 or similar archtop produces a round, full tone that defined West Coast jazz guitar in the 1950s. The attack is confident and the decay natural, with just enough midrange to project over the acoustic bass.

  1. 1Gibson ES-350 or ES-175 (P-90 or humbucker)
  2. 2Small studio amplifier
Gain / Volume2
Bass6
Mid7
Treble5
Reverb2

Clean and mid-forward — Kessel dialled in the standard West Coast jazz tone: warm but not muddy, present but not bright. Minimal reverb in the studio tradition of the era.

How to Play It

Swinging chord comping beneath single-note lines — Kessel could accompany himself rhythmically with the thumb and bass strings while playing melody with the upper strings, a classic jazz guitar self-accompaniment technique.

Achievable With

Gibson ES-175 or Epiphone ES-175 equivalent → clean tube combo (Blues Junior or Jazz Chorus) → roll treble to 5 on amp.

Adapt to My Amp

Other Song Rigs

Easy Like

Easy Like · 1953

Barney Kessel's debut album and one of the earliest jazz guitar recordings to do

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Let's Cook!

Let's Cook! · 1957

Kessel at his most swinging — an uptempo blowing vehicle that shows his speed an

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To Swing or Not to Swing

To Swing or Not to Swing · 1955

The most technically ambitious early Kessel recording — a longer, exploratory im

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Autumn in Rome

Plays Standards · 1954

Lyrical and European — Kessel plays with a more legato, melodic approach here th

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Blues for Breakfast

Let's Cook · 1957

Bluesy and direct — Kessel's blues phrasing has a different character from his s

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