Barney Kessel

Let's Cook!

Barney Kessel · Let's Cook! · 1957

What Makes This Sound Unique

Kessel at his most swinging — an uptempo blowing vehicle that shows his speed and bebop fluency. The tone is identical to Easy Like but the faster tempo and more aggressive picking create a brighter perceived quality as the attack becomes more prominent relative to the sustained body of each note.

  1. 1Gibson ES-350 or ES-175 (1957 model)
  2. 2Small clean amp
Gain / Volume1
Bass6
Mid7
Treble7

Same warm clean tone but slightly brighter perceived quality at high tempo — the faster the playing, the more the pick attack dominates the tone relative to the body. No EQ change; the speed creates the apparent brightness.

How to Play It

Bebop single-note lines at swing tempo — Kessel navigates chord changes using bebop vocabulary (ii-V-I patterns, chromatic enclosures, target notes) at full swing tempo. His lines have a flowing, melodic quality despite the high speed.

Achievable With

ES-175 or archtop → clean amp → practice bebop ii-V-I patterns over a rhythm track: (Am7-D7-Gmaj7) running at increasing tempos. The target is ii-V-I fluency at 200+ BPM with melodic, connected lines.

Adapt to My Amp

Other Song Rigs

Easy Like

Easy Like · 1953

Barney Kessel's debut album and one of the earliest jazz guitar recordings to do

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To Swing or Not to Swing

To Swing or Not to Swing · 1955

The most technically ambitious early Kessel recording — a longer, exploratory im

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On the Sunny Side of the Street

Easy Like · 1953

Warm and swinging — Kessel's Gibson ES-350 or similar archtop produces a round,

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Autumn in Rome

Plays Standards · 1954

Lyrical and European — Kessel plays with a more legato, melodic approach here th

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Blues for Breakfast

Let's Cook · 1957

Bluesy and direct — Kessel's blues phrasing has a different character from his s

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