Barney Kessel

Easy Like

Barney Kessel · Easy Like · 1953

What Makes This Sound Unique

Barney Kessel's debut album and one of the earliest jazz guitar recordings to document his Django-and-Christian-influenced approach. The Gibson ES-350 through a clean studio amp produces the definitive 1950s jazz guitar tone: warm, woody, and precise, with the floating pickup's proximity to the neck providing maximum warmth.

  1. 1Gibson ES-350 (floating single pickup)
  2. 2Small clean studio amp
Gain / Volume1
Bass6
Mid7
Treble6

Warm and clean — the ES-350's floating pickup near the neck produces a round, full-bodied tone that the bebop era associated with 'mature' jazz guitar. No treble harshness, no amp character beyond basic warmth.

How to Play It

Chord-melody integration — Kessel's approach to standards involves simultaneously playing melody notes and accompanying chords, with the melody note always the highest pitch in each chord voicing. This creates a piano-like fullness from a single guitar.

Achievable With

Gibson ES-350, L-5, or any warm archtop → very clean amp → practice chord-melody: learn the tune's melody, then harmonise each melody note with an appropriate chord voicing below it. The melody is always the highest sounding note.

Adapt to My Amp

Other Song Rigs

Let's Cook!

Let's Cook! · 1957

Kessel at his most swinging — an uptempo blowing vehicle that shows his speed an

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To Swing or Not to Swing

To Swing or Not to Swing · 1955

The most technically ambitious early Kessel recording — a longer, exploratory im

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On the Sunny Side of the Street

Easy Like · 1953

Warm and swinging — Kessel's Gibson ES-350 or similar archtop produces a round,

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Autumn in Rome

Plays Standards · 1954

Lyrical and European — Kessel plays with a more legato, melodic approach here th

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Blues for Breakfast

Let's Cook · 1957

Bluesy and direct — Kessel's blues phrasing has a different character from his s

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