B.B. King

Lucille

B.B. King · Lucille · 1968

What Makes This Sound Unique

BB King's tribute to his beloved guitar — the album named Lucille contains some of his most polished and deliberate playing. The tone is the classic late-60s sound: warm, controlled, with natural semi-hollow resonance. The title track is an instrumental that functions as a love letter to both the instrument and the tradition.

  1. 1Gibson ES-355 "Lucille" (custom signature model)
  2. 2Fender Showman amplifier
Gain / Volume6
Bass7
Mid7
Treble5
Reverb3

Warm and mid-heavy — the Gibson signature model into the Fender Showman is BB's peak tone. Bass prominent for the full ES-355 resonance. Treble restrained — the darkness of the tone is what makes every note sound rich rather than thin.

How to Play It

Controlled, deliberate blues phrasing — on the Lucille album, BB plays with maximum intention. No wasted notes. Each phrase is constructed with care. The vibrato is as controlled as on any classical violin — every application of vibrato is a musical decision, not a default.

Achievable With

ES-335 or similar semi-hollow → warm Fender amp (Deluxe Reverb or Vibrolux) → restrain the treble.

Adapt to My Amp

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BB King's most famous tone — Lucille (a Gibson ES-335 variant) into a Lab Series

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Every Day I Have the Blues

Live at the Regal · 1965

BB King live — the Regal Theatre recording captures his peak-era tone: raw, warm

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Three O'Clock Blues

RPM Records single · 1951

BB King's first number one hit — his earliest available tone uses a Gibson ES-34

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Every Day I Have the Blues

Live at the Regal · 1964

The Live at the Regal version is the definitive BB King recording — the Apollo T

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Sweet Little Angel

Live at the Regal · 1964

BB King's live tone at the peak of his performing powers — the Gibson ES-355 "Lu

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You Upset Me Baby

Singin' the Blues · 1954

Early BB King at his most raw — recorded at the Chess Brothers studios in 1954 w

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