Who Can I Sound Like With a Gibson SG Standard and Boss Katana 50 MKII?

Gibson SG StandardBoss Katana 50 MKIIFuzz

Your closest match is Angus Young at 68/100. 10 artists analysed from the ToneStakr database.

Your closest match: Angus Young (68/100)

Gibson SG Standard + Boss Katana 50 MKII + Fuzz

#1
Angus Young
Angus Young
1970sHard RockBlues-Rock
68Good Match
DSP / Plugin Match
Guitar100%
Amp80%
Effects0%

This rig shares more DNA with Angus Young's sound than it might first appear. The largest overlap comes from the combination of Gibson SG Standard and Boss Katana 50 MKII. Key tonal traits include: raw-crunch, amp-driven, mid-forward. The easiest upgrade path would be to add a TC Electronic Spark Booster to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck pickup with tone rolled back slightlyRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Marshall Plexi or JCM800 model. Gain: 5-7British crunch lives in the mids — keep them up around 6-7.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#2
Pete Townshend
Pete Townshend
1960sRockHard Rock
68Good Match
DSP / Plugin Match
Guitar100%
Amp80%
Effects0%

Much of what made Pete Townshend's tone distinctive can already be found in this rig. The biggest reason for the match is the combination of Gibson SG Standard and Boss Katana 50 MKII. This rig emphasises: windmill-strumming, power-chords, mid-heavy. The largest remaining gap is a MXR M108S 10-Band EQ to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck pickup with tone rolled back slightlyRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Marshall Plexi or JCM800 model. Gain: 5-7British crunch lives in the mids — keep them up around 6-7.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#3
Duane Allman
Duane Allman
1960sBlues-RockSouthern Rock
68Good Match
DSP / Plugin Match
Guitar100%
Amp80%
Effects0%

A listener familiar with Duane Allman's recordings would pick up on the similarity here. Key tonal traits include: slide, open-e, southern-rock. The largest overlap comes from the combination of Gibson SG Standard and Boss Katana 50 MKII. To move even closer, consider adding a TC Electronic Hall of Fame 2 to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck pickup with tone rolled back slightlyRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Fender Deluxe or Tweed model. Push the gain to 6-7The magic is in the amp pushed to the edge — use a Tube Screamer as a boost if available.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#4
Derek Trucks
Derek Trucks
1990sBluesRock
68Good Match
DSP / Plugin Match
Guitar100%
Amp80%
Effects0%

While not an exact recreation, this rig lands firmly in Derek Trucks's tonal neighbourhood. Several of the key ingredients are already in place. The strongest contributor is the combination of Gibson SG Standard and Boss Katana 50 MKII. Shared sonic characteristics include: slide, open-e, clean-expressive.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck pickup with tone rolled back slightlyRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Fender clean or Vox AC30 model. Keep gain below 4Keep the clean channel sparkling — let the pedals and picking attack add the dynamics.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#5
Tony Iommi
Tony Iommi
1970sMetalHard Rock
68Good Match
DSP / Plugin Match
Guitar100%
Amp80%
Effects0%

A listener familiar with Tony Iommi's recordings would pick up on the similarity here. Notable tonal fingerprints include: dark, doom, heavy-riff. The foundation of the similarity is the combination of Gibson SG Standard and Boss Katana 50 MKII. To move even closer, consider adding a TC Electronic Spark Booster to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck pickup with tone rolled back slightlyRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Marshall Plexi or JCM800 model. Gain: 5-7British crunch lives in the mids — keep them up around 6-7.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#6
Kim Thayil
Kim Thayil
1990sGrungeAlternative
67Good Match
DSP / Plugin Match
Guitar75%
Amp80%
Effects36%

The combination of Gibson SG Standard and Boss Katana 50 MKII gets you surprisingly close to Kim Thayil's sonic territory. This rig emphasises: dark, oppressive, droning. To move even closer, consider adding a ProCo RAT2 to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Marshall Plexi or JCM800 model. Gain: 5-7British crunch lives in the mids — keep them up around 6-7.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#7
Josh Homme
Josh Homme
1990sRockStoner Rock
67Good Match
DSP / Plugin Match
Guitar75%
Amp80%
Effects36%

The closest match comes from the Gibson SG Standard — it covers a lot of Josh Homme's core character on its own. Notable tonal fingerprints include: qotsa-desert-rock, slinky-heavy, baritone-vibes. The easiest upgrade path would be to add a Ibanez TS9 Tube Screamer to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Fender Deluxe or Tweed model. Push the gain to 6-7The magic is in the amp pushed to the edge — use a Tube Screamer as a boost if available.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#8
J Mascis
J Mascis
1990sAlternativeIndie
64Good Match
DSP / Plugin Match
Guitar75%
Amp80%
Effects24%

Anatomically, this rig makes sense as a J Mascis approximation. The largest overlap comes from the combination of Gibson SG Standard and Boss Katana 50 MKII. Notable tonal fingerprints include: woozy, fuzz-heavy, melodic-lead. To move even closer, consider adding a ProCo RAT2 to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Fender Deluxe or Tweed model. Push the gain to 6-7The magic is in the amp pushed to the edge — use a Tube Screamer as a boost if available.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#9
Billy Corgan
Billy Corgan
1990sAlternativeGrunge
60Good Match
DSP / Plugin Match
Guitar75%
Amp80%
Effects8%

The foundation is remarkably similar, even where the specific equipment differs from Billy Corgan's actual rig. The closest match comes from the combination of Gibson SG Standard and Boss Katana 50 MKII. This rig emphasises: wall-of-sound, smashing-pumpkins, dense-layering. The largest remaining gap is a ProCo RAT2 to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmKeep the guitar volume at 10 — the amp handles the gain.
Boss Katana 50 MKIILoad a high-gain model (Mesa Rectifier or 5150 style). Gain: 7-8A noise gate helps keep the high-gain chain clean during pauses.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.
#10
Jimmy Page
Jimmy Page
1960sRockHard Rock
58Good Match
DSP / Plugin Match
Guitar75%
Amp80%
Effects0%

This rig shares more DNA with Jimmy Page's sound than it might first appear. The closest match comes from the combination of Gibson SG Standard and Boss Katana 50 MKII. This rig emphasises: blues-rooted, dynamic, vintage. To move even closer, consider adding a Dunlop GCB95 Cry Baby Wah to close the remaining gap.

DSP / Plugin Match: This match is best achieved through your modeller or amp simulation software. Load the appropriate amp model and cabinet IR to dial in the character.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Boss Katana 50 MKIILoad a Marshall Plexi or JCM800 model. Gain: 5-7British crunch lives in the mids — keep them up around 6-7.
FuzzFuzz: 8-9, Volume: match unity gain, Tone: 5-6Run the fuzz into a clean-ish amp — too much amp gain kills the fuzz character.

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