Django Reinhardt

Anouman

Django Reinhardt · Quintet of the Hot Club of France · 1937

What Makes This Sound Unique

One of Django's most beautiful ballad performances — the signature Gypsy Jazz vibrato is at its most expressive here, a wide, slow hand vibrato completely unlike the arm vibrato of classical players or the finger vibrato of rock guitarists. The Selmer resonance adds natural harmonic sustain.

  1. 1Selmer-Maccaferri Modèle Jazz (oval-hole model)
  2. 2Acoustic — ribbon microphone recording
Gain / Volume0
Bass5
Mid7
Treble6

The oval-hole Selmer model has a slightly warmer, more focused sound than the D-hole. This is purely the acoustic resonance of the instrument with no amplification processing — every characteristic of Django's tone comes from the guitar, strings, pick, and technique, with zero electronics in the chain.

How to Play It

Hand vibrato (whole hand oscillates on the neck) — completely different from the conventional finger vibrato of other styles. Django's vibrato is wide and slow, giving sustained notes an almost vocal, operatic quality. This technique is transferable to electric guitar but requires specific practice.

Achievable With

Selmer-style Gypsy Jazz guitar (mandatory for the tone — a conventional guitar will not produce this sound) → thick triangular pick → practice hand vibrato starting very slowly, wider than you think is correct. Anouman is a good study piece for the vibrato technique.

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