Django Reinhardt

Place de Brouckère

Django Reinhardt · Django Reinhardt · 1942

What Makes This Sound Unique

Wartime Django — recorded in occupied Paris with limited resources, this session captures a rawer, more direct sound than the pre-war recordings. The acoustic resonance is more exposed, every nuance of touch and vibrato more audible.

  1. 1Selmer-Maccaferri Modèle Jazz guitar
  2. 2Acoustic — recorded directly to disc
  3. 3Heavier strings than earlier recordings (wartime string shortage)
Gain / Volume0
Bass5
Mid7
Treble6

The wartime recording conditions produced a more compressed, closer-miked sound than the pre-war recordings. The heavier strings Django was forced to use during the occupation actually gave the guitar a slightly fuller, warmer tone despite the circumstances.

How to Play It

Even more rhythmically dominant than pre-war recordings — without Stephane Grappelli, Django carried more of the harmonic and melodic responsibility. His chord vocabulary in these solo and small-group pieces shows the full extent of his self-developed harmonic language.

Achievable With

Gitane or Dupont Gypsy Jazz guitar → acoustic close-miked recording → rest-stroke picking with a very stiff triangular Gypsy Jazz pick (the correct pick is as important as the guitar for this style).

Adapt to My Amp

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