Stevie Ray Vaughan Amp Settings
EQ dial positions, gain structure, and how to replicate the sound on any amp
Fender Super Reverb — Dial Settings
SourcedAll values on a 0–10 scale. Adjust by ear — room acoustics and specific amp variants affect the exact position.
Other Guitarists on a Fender Super Reverb
Choosing the Right Amp
Amp at Every Budget
Getting the Most From Your Amp
- Keep the amp clean and use pedals for drive — the amp's headroom lets the pedals breathe.
- Master volume matters — many classic tones only work at significant volume when tubes are working hard.
Related Gear
Similar Guitarists
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FAQ
Stevie Ray Vaughan Amp Settings — Common Questions
Stevie Ray Vaughan uses the Fender Super Reverb with Gain at 9, Bass at 7, Mid at 5, Treble at 7. Super Reverb cranked past 7 — 13-gauge strings and a hard pick attack bloom at stage volume. Bass and treble up, mids moderate. The Ibanez TS9 Tube Screamer adds push without adding fuzz. Very little reverb (amp's spring handles depth).
Stevie Ray Vaughan's primary amp is the Fender Super Reverb. At different budgets, similar tones can be achieved with: Fender Frontman 15R (£200 · Beginner), Boss Katana 50 MkII (£500 · Sweet Spot), Fender Blues Junior IV (£1,000 · Pro-Level), Fender Blues DeVille (£2,500 · Premium).
Stevie Ray Vaughan sets Gain to 9 on the Fender Super Reverb. Super Reverb cranked past 7 — 13-gauge strings and a hard pick attack bloom at stage volume.
You can get close to Stevie Ray Vaughan's tone on any amp by focusing on the EQ character rather than specific gain levels. Key: use balanced mids (5–6) as a starting point. Keep the amp clean and drive it with a transparent overdrive pedal. A Boss Katana or Blackstar HT series can approximate the tone at low cost.
For Stevie Ray Vaughan's EQ signature: Bass 5/10, Mid 5/10, Treble 6/10, Presence 6/10. The tone is characterised as: heavy-strings, texas-blues, amp-pushed. These are starting points — fine-tune by ear to your specific amp and room.