Who Can I Sound Like With a Gibson SG Standard and Marshall JCM800?

Gibson SG StandardMarshall JCM800Wah

Your closest match is Angus Young at 75/100. 10 artists analysed from the ToneStakr database.

Your closest match: Angus Young (75/100)

Gibson SG Standard + Marshall JCM800 + Wah

#1
Angus Young
Angus Young
1970sHard RockBlues-Rock
75Strong Match
Physical Rig Match
Guitar100%
Amp100%
Effects0%

The match with Angus Young's tone is real, even if the rig isn't complete. Several important elements align — the overall character is recognisably close. The biggest reason for the match is the combination of Gibson SG Standard and Marshall JCM800. Key tonal traits include: raw-crunch, amp-driven, mid-forward.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck pickup with tone rolled back slightlyRoll back the guitar volume to 7-8 for natural amp compression.
Marshall JCM800Use the drive channel. Gain: 4-6, Mid: 7, Treble: 6, Bass: 5British crunch lives in the mids — keep them up around 6-7.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#2
Pete Townshend
Pete Townshend
1960sRockHard Rock
75Strong Match
Physical Rig Match
Guitar100%
Amp100%
Effects0%

Dialled in correctly, this setup would make a lot of players think of Pete Townshend. The closest match comes from the combination of Gibson SG Standard and Marshall JCM800. This rig emphasises: windmill-strumming, power-chords, mid-heavy. Several important elements align — the overall character is recognisably close.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck pickup with tone rolled back slightlyRoll back the guitar volume to 7-8 for natural amp compression.
Marshall JCM800Use the drive channel. Gain: 4-6, Mid: 7, Treble: 6, Bass: 5British crunch lives in the mids — keep them up around 6-7.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#3
Tony Iommi
Tony Iommi
1970sMetalHard Rock
75Strong Match
Physical Rig Match
Guitar100%
Amp100%
Effects0%

Tony Iommi's sound is strongly represented in this rig. The biggest reason for the match is the combination of Gibson SG Standard and Marshall JCM800. Key tonal traits include: dark, doom, heavy-riff. The easiest upgrade path would be to add a TC Electronic Spark Booster to close the remaining gap.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck pickup with tone rolled back slightlyRoll back the guitar volume to 7-8 for natural amp compression.
Marshall JCM800Use the drive channel. Gain: 4-6, Mid: 7, Treble: 6, Bass: 5British crunch lives in the mids — keep them up around 6-7.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#4
Jimmy Page
Jimmy Page
1960sRockHard Rock
74Strong Match
Physical Rig Match
Guitar75%
Amp100%
Effects36%

Jimmy Page's sound is strongly represented in this rig. The largest overlap comes from the combination of Gibson SG Standard and Marshall JCM800. The resulting sound profile highlights: blues-rooted, dynamic, vintage. The easiest upgrade path would be to add a TC Electronic Spark Booster to close the remaining gap.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Marshall JCM800Use the drive channel. Gain: 4-6, Mid: 7, Treble: 6, Bass: 5British crunch lives in the mids — keep them up around 6-7.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#5
Billy Corgan
Billy Corgan
1990sAlternativeGrunge
74Strong Match
Physical Rig Match
Guitar75%
Amp100%
Effects36%

The strongest overlap with Billy Corgan's tone comes from the signal-chain foundation rather than any single piece of gear. The strongest contributor is the combination of Gibson SG Standard and Marshall JCM800. The resulting sound profile highlights: wall-of-sound, smashing-pumpkins, dense-layering. The largest remaining gap is a ProCo RAT2 to close the remaining gap.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmKeep the guitar volume at 10 — the amp handles the gain.
Marshall JCM800Use the lead/drive channel. Gain: 6-8, Bass: 5, Mid: 6, Treble: 7A noise gate helps keep the high-gain chain clean during pauses.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#6
Dave Navarro
Dave Navarro
1990sAlternativeRock
74Strong Match
Physical Rig Match
Guitar75%
Amp100%
Effects36%

This rig shares more DNA with Dave Navarro's sound than it might first appear. The foundation of the similarity is the combination of Gibson SG Standard and Marshall JCM800. Shared sonic characteristics include: gothic-atmosphere, cinematic, melodic-lead. The easiest upgrade path would be to add a ProCo RAT2 to close the remaining gap.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Marshall JCM800Use the drive channel. Gain: 4-6, Mid: 7, Treble: 6, Bass: 5British crunch lives in the mids — keep them up around 6-7.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#7
Zakk Wylde
Zakk Wylde
1980sMetalHard Rock
71Strong Match
Physical Rig Match
Guitar75%
Amp100%
Effects24%

Anatomically, this rig makes sense as a Zakk Wylde approximation. The largest overlap comes from the combination of Gibson SG Standard and Marshall JCM800. Key tonal traits include: pinch-harmonic, thick-humbucker, aggressive. To move even closer, consider adding a Ibanez TS9 Tube Screamer to close the remaining gap.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmKeep the guitar volume at 10 — the amp handles the gain.
Marshall JCM800Use the lead/drive channel. Gain: 6-8, Bass: 5, Mid: 6, Treble: 7A noise gate helps keep the high-gain chain clean during pauses.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#8
Joe Bonamassa
Joe Bonamassa
2000sBlues-RockBlues
67Good Match
Physical Rig Match
Guitar75%
Amp100%
Effects8%

Anatomically, this rig makes sense as a Joe Bonamassa approximation. The largest overlap comes from the combination of Gibson SG Standard and Marshall JCM800. Shared sonic characteristics include: blues-rock, vintage-tones, collectors-grade. The easiest upgrade path would be to add a Ibanez TS9 Tube Screamer to close the remaining gap.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Marshall JCM800Use the drive channel. Gain: 4-6, Mid: 7, Treble: 6, Bass: 5British crunch lives in the mids — keep them up around 6-7.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#9
John Sykes
John Sykes
1980sHard RockHeavy Metal
67Good Match
Physical Rig Match
Guitar75%
Amp100%
Effects8%

While not an exact recreation, this rig lands firmly in John Sykes's tonal neighbourhood. Several of the key ingredients are already in place. The biggest reason for the match is the combination of Gibson SG Standard and Marshall JCM800. The resulting sound profile highlights: British-hard-rock, warm-lead, legato.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Marshall JCM800Use the drive channel. Gain: 4-6, Mid: 7, Treble: 6, Bass: 5British crunch lives in the mids — keep them up around 6-7.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.
#10
Kim Thayil
Kim Thayil
1990sGrungeAlternative
67Good Match
Physical Rig Match
Guitar75%
Amp100%
Effects8%

Before you look at specific gear, the feel of this rig already points toward Kim Thayil's territory. The resulting sound profile highlights: dark, oppressive, droning. The standout component is the combination of Gibson SG Standard and Marshall JCM800. The largest remaining gap is a Electro-Harmonix Big Muff Pi to close the remaining gap.

Physical Rig Match: This tone is achievable with your physical hardware. The match is based on your guitar type, amplifier voicing, and effects categories.

Recommended Settings

Gibson SG StandardPickup: neck for lead, bridge for rhythmRoll back the guitar volume to 7-8 for natural amp compression.
Marshall JCM800Use the drive channel. Gain: 4-6, Mid: 7, Treble: 6, Bass: 5British crunch lives in the mids — keep them up around 6-7.
WahEngage slowly — move the pedal expressively, not as a filterPlace the wah before fuzz/overdrive in the chain for a more nasal, vocal filter effect.

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