Who Can I Sound Like With a Gibson SG Standard and Marshall JCM800?

Running Gibson SG Standard into Marshall JCM800 gets you further into Angus Young's world than most players expect. Notable tonal fingerprints include: raw-crunch, amp-driven, mid-forward. To move even closer, consider adding a TC Electronic Spark Booster to close the remaining gap. Several important elements align — the overall character is recognisably close.

A listener familiar with Pete Townshend's recordings would pick up on the similarity here. Key tonal traits include: windmill-strumming, power-chords, mid-heavy. The biggest reason for the match is the combination of Gibson SG Standard and Marshall JCM800. The easiest upgrade path would be to add a MXR M108S 10-Band EQ to close the remaining gap.

While not an exact recreation, this rig lands firmly in Tony Iommi's tonal neighbourhood. Several of the key ingredients are already in place. The largest overlap comes from the combination of Gibson SG Standard and Marshall JCM800. This rig emphasises: dark, doom, heavy-riff.

Anatomically, this rig makes sense as a Joe Bonamassa approximation. The closest match comes from the combination of Gibson SG Standard and Marshall JCM800. The resulting sound profile highlights: blues-rock, vintage-tones, collectors-grade. To move even closer, consider adding a Boss CS-3 Compression Sustainer to close the remaining gap.

The match with Josh Homme's tone is real, even if the rig isn't complete. Several important elements align — the overall character is recognisably close. The standout component is the combination of Gibson SG Standard and Marshall JCM800. This rig emphasises: qotsa-desert-rock, slinky-heavy, baritone-vibes.

Anatomically, this rig makes sense as a Zakk Wylde approximation. The strongest contributor is the combination of Gibson SG Standard and Marshall JCM800. This rig emphasises: pinch-harmonic, thick-humbucker, aggressive. The largest remaining gap is a Dunlop GCB95 Cry Baby Wah to close the remaining gap.

The tones John Sykes built in the studio share several important qualities with what this rig produces. The largest overlap comes from the combination of Gibson SG Standard and Marshall JCM800. Key tonal traits include: British-hard-rock, warm-lead, legato. To move even closer, consider adding a TC Electronic Flashback 2 to close the remaining gap.

A listener familiar with Ace Frehley's recordings would pick up on the similarity here. Notable tonal fingerprints include: hard-rock, smoking-lead, arena-rock. The largest overlap comes from the combination of Gibson SG Standard and Marshall JCM800. To move even closer, consider adding a TC Electronic Flashback 2 to close the remaining gap.

You're already working with the right core ingredients for Jimmy Page's sound. The closest match comes from the combination of Gibson SG Standard and Marshall JCM800. Shared sonic characteristics include: blues-rooted, dynamic, vintage. There are real points of overlap, though some differences remain.

Among all possible matches, Steve Clark stands out because of how closely the tonal priorities align. Shared sonic characteristics include: hard-rock, dual-guitar-harmony, british-crunch. The foundation of the similarity is the combination of Gibson SG Standard and Marshall JCM800. The largest remaining gap is a Electro-Harmonix Small Clone to close the remaining gap.